Website Logo
  • Home
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • From The Archives
    • Insiders Circle
    • Myths in Streaming
    • The Streaming Madman
    • The Take
  • Resources
    • Directory
    • Reports
      • AI & The Modern Media Workflow
      • The Future of Media Jobs
      • Streaming Analytics in the Age of AI
  • For Companies
  • Support TSW
  • Home
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • From The Archives
    • Insiders Circle
    • Myths in Streaming
    • The Streaming Madman
    • The Take
  • Resources
    • Directory
    • Reports
      • AI & The Modern Media Workflow
      • The Future of Media Jobs
      • Streaming Analytics in the Age of AI
  • For Companies
  • Support TSW
Subscribe

In a reversal, Disney’s media assets are starting to generate more excitement than its parks

CNBC
August 7, 2024
in Business, Entertainment, Finance, Insights, News
Reading Time: 3 mins read
0
In a reversal, Disney’s media assets are starting to generate more excitement than its parks

Disney and Pixar’s “Inside Out 2” returns to the mind of newly minted teenager Riley just as new Emotions show up. Embarrassment (voice of Paul Walter Hauser), Anxiety (voice of Maya Hawke), Envy (voice of Ayo Edebiri) and Ennui (voice of Adèle Exarchopoulos) are ready to take a turn at the console. Directed by Kelsey Mann and produced by Mark Nielsen, “Inside Out 2” releases only in theaters June 14, 2024.

Courtesy: 2024 Disney | Pixar

Here’s a surprise: Disney‘s media business isn’t weighing down the company anymore.

The primary Disney investor narrative since 2022 has been how streaming losses, combined with a declining traditional pay TV business and a string of box office failures, have been anchoring surging sales and profits at the company’s theme parks and resorts. The result has been a company whose shares have fallen about 24% in the past two years, while the S&P 500 has gained 28% in the same period.

The company’s second-quarter results suggest a shift is happening. Disney’s combined streaming businesses — Disney+, Hulu and ESPN+ — turned a quarterly profit for the first time ever, making $47 million. That’s a significant improvement from losing $512 million in the same quarter a year ago.

Disney’s theatrical unit is also on a major heater. “Inside Out 2” became the highest-grossing animated film of all time in recent weeks. “Deadpool & Wolverine” has taken in $824 million after two weeks of global release. Disney has become the first studio in 2024 to top $3 billion in worldwide ticket sales.

Meanwhile, Disney saw a “moderation of consumer demand towards the end of [fiscal] Q3 that exceeded our previous expectations” for its theme parks division. That caused shares to slump about 3% in early trading.

Disney Chief Executive Officer Bob Iger said during his company’s earnings conference call that he expects the momentum for the media business will only gain steam. That’s music to Wall Street’s ears, which wants both growth and profitability.

“We feel very bullish about the future of this business,” Iger said in reference to streaming. “You can expect that it’s going to grow nicely in fiscal 2025.”

Iger referenced an upcoming crackdown on password sharing, which will begin “in earnest” in September, as a tool that will help generate new subscribers and added revenue for the company. A similar effort from Netflix has helped the world’s largest streamer add new customers during the past year.

Disney is also raising prices for its streaming services in mid-October. Most plans for Disney+, Hulu and ESPN+ will cost $1 to $2 more per month.

Iger rattled off a list of movie titles that Disney hasn’t yet released to emphasize the studio’s solid positioning for the rest of 2024 and beyond.

“Let me just read to you the movies that we’ll be making and releasing in the next almost two years,” Iger said. “We have ‘Moana,’ ‘Mufasa,’ ‘Captain America,’ ‘Snow White,’ ‘Thunderbolts,’ ‘Fantastic Four,’ ‘Zootopia,’ ‘Avatar,’ ‘Avengers,’ ‘Mandalorian,’ and ‘Toy Story,’ just to name a few. When you think about not only the potential of those in box office, but the potential of those to drive global streaming value, I think there’s a reason to be bullish about where we’re headed.”

Disney isn’t deemphasizing the parks. The company said last year it plans to invest $60 billion on its theme parks and cruise lines in the next decade. But it’s undoubtedly healthier for the company to convince investors that the media units aren’t an anchor weighing down the share price.

Disney shares dropped Wednesday because investors were focused on the parks. The next step is for shares to rise during a quarterly earnings report because investors are excited about the media units.

WATCH: Watch CNBC’s full interview with Disney CFO Hugh Johnson after earnings results

The Streaming Wars is intentionally ad-free

We don’t run display ads. Not because we can’t, but because we don’t believe in them.

They interrupt the reading experience. They cheapen the work. And they burn advertisers’ money on impressions nobody actually wants.

So we chose a different model.

We say the things people in this industry are already thinking but don’t say out loud. We connect the dots beyond the headline and focus on explaining why things matter to the people working in this business.

If you believe industry coverage can exist without clutter and interruption, you can support it here → SUPPORT TSW.

Support is optional. But it directly funds research and continued coverage — and helps prove this model can work.

Support TSW →
Tags: Bob Igerbox officedisneydisney+Inside Out 2media businessnew releasespassword sharingPixarstreaming profit
Share212Tweet133Send

Related Posts

Paramount Cleared Washington. The Hard Part Starts Now

Paramount Cleared Washington. The Hard Part Starts Now The Streaming Wars Staff

June 14, 2026
Basics Of Streaming: How Fake CTV Inventory Steals Real Ad Dollars

Basics Of Streaming: How Fake CTV Inventory Steals Real Ad Dollars The Streaming Wars Staff

June 12, 2026
From the Archives: The Netflix Prize and the $1 Million Contest That Rewrote Recommendation Systems

From the Archives: The Netflix Prize and the $1 Million Contest That Rewrote Recommendation Systems The Streaming Wars Staff

June 11, 2026
How Hasbro Wants to Turn Character Behavior Into the Next Licensing Market

How Hasbro Wants to Turn Character Behavior Into the Next Licensing Market Kirby Grines

June 11, 2026
Next Post
Google is discontinuing the Chromecast line

Google is discontinuing the Chromecast line

Recent News

Paramount Cleared Washington. The Hard Part Starts Now

Paramount Cleared Washington. The Hard Part Starts Now

The Streaming Wars Staff
June 14, 2026
Basics Of Streaming: How Fake CTV Inventory Steals Real Ad Dollars

Basics Of Streaming: How Fake CTV Inventory Steals Real Ad Dollars

The Streaming Wars Staff
June 12, 2026
From the Archives: The Netflix Prize and the $1 Million Contest That Rewrote Recommendation Systems

From the Archives: The Netflix Prize and the $1 Million Contest That Rewrote Recommendation Systems

The Streaming Wars Staff
June 11, 2026
How Hasbro Wants to Turn Character Behavior Into the Next Licensing Market

How Hasbro Wants to Turn Character Behavior Into the Next Licensing Market

Kirby Grines
June 11, 2026
Website Logo

The Streaming Wars is an independent research and media platform covering the future of streaming, distribution, and media economics.

Explore

About

Find a Vendor

Have a Tip?

Contact

Podcast

For Companies

Support TSW

Join the Newsletter

Copyright © 2026 by 43Twenty.

Privacy Policy

Term of Use

No Result
View All Result
  • Home
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • From The Archives
    • Myths in Streaming
    • Insiders Circle
    • The Streaming Madman
    • The Take
  • Resources
    • Directory
    • Reports
      • AI & The Modern Media Workflow
      • The Future of Media Jobs
      • Streaming Analytics in the Age of AI
  • For Companies
  • Support TSW

Copyright © 2024 by 43Twenty.