Website Logo
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • Exec Briefing
    • From The Archives
    • Insiders Circle
  • Directory
  • Guides
    • TSW Guide to Bundling
    • TSW Guide to Metadata
    • TSW Guide to AI & The Modern Media Workflow
    • TSW Guide to the Future of Media Jobs
  • For Companies
  • Support TSW
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • Exec Briefing
    • From The Archives
    • Insiders Circle
  • Directory
  • Guides
    • TSW Guide to Bundling
    • TSW Guide to Metadata
    • TSW Guide to AI & The Modern Media Workflow
    • TSW Guide to the Future of Media Jobs
  • For Companies
  • Support TSW
Subscribe

U.K. Expands Ofcom Authority to Cover Major Streaming Platforms

The Streaming Wars Staff
February 24, 2026
in News, Business, Entertainment, Industry, Streaming
Reading Time: 2 mins read
0
U.K. Expands Ofcom Authority to Cover Major Streaming Platforms

The U.K. government is moving ahead with secondary legislation under the Media Act 2024 that will bring the largest streaming platforms under enhanced oversight from Ofcom. Any video on demand service with more than 500,000 U.K. users, including Netflix, Amazon Prime Video, Disney+, ITVX and Channel 4’s on demand service, will be designated a Tier 1 service and required to comply with a new VOD Standards Code similar to the Broadcasting Code that governs traditional television.

The new code will require streamers to meet standards on accuracy and impartiality in news programming and to protect audiences from harmful or offensive material. Ofcom will have the authority to accept viewer complaints, investigate potential breaches and take enforcement action where necessary. Until now, many of the largest global streaming services were not regulated to the same standard as licensed broadcasters operating in the U.K., and in some cases were not regulated domestically at all. This legislation closes that gap and aligns regulatory expectations across television and TV-like services.

The government is also introducing a new accessibility code that imposes minimum thresholds across streaming catalogues. At least 80% of total catalogues must be subtitled, 10% must include audio description, and 5% must be signed. For global platforms managing extensive libraries across multiple territories, these requirements will require operational investment and workflow adjustments. Broadcasters have carried similar obligations for years, so this move effectively removes a longstanding competitive asymmetry.

The policy shift reflects fundamental changes in viewing behavior. Around two-thirds of U.K. households subscribe to at least one of Netflix, Prime Video or Disney+. 85% of people use an on-demand service each month, compared with 67% who watch live television. Barb data shows that live TV viewing declined from 60% of total viewing in 2022 to 45% in 2025. One third of TV sessions now begin on a streaming platform or YouTube, roughly equal to traditional broadcasters. When consumption reaches this scale, regulators no longer treat streaming as an adjacent category. It becomes part of the core television ecosystem.

Video sharing platforms such as YouTube are not covered by the new VOD standards code and remain regulated under the Online Safety Act 2023. That distinction reinforces the U.K.’s view that long-form, television-like services warrant a different regulatory framework than open video platforms, even as audience behaviour increasingly blurs those boundaries.

From a business standpoint, the direction is clear. Streaming has entered the regulatory mainstream in the U.K. Compliance costs will increase as platforms formalize editorial oversight structures, accessibility investments and complaint handling systems. For multinational services, this adds another layer of market-specific regulation in an already fragmented global landscape. Ofcom will begin a public consultation on both the VOD Standards Code and the Accessibility Code, giving industry participants an opportunity to shape implementation details. The broader signal is unmistakable. In the U.K., streaming is now being regulated as television.

The Streaming Wars is intentionally ad-free

We don’t run display ads. Not because we can’t, but because we don’t believe in them.

They interrupt the reading experience. They cheapen the work. And they burn advertisers’ money on impressions nobody actually wants.

So we chose a different model.

We say the things people in this industry are already thinking but don’t say out loud. We connect the dots beyond the headline and focus on explaining why things matter to the people working in this business.

If you believe industry coverage can exist without clutter and interruption, you can support it here → SUPPORT TSW.

Support is optional. But it directly funds research and continued coverage — and helps prove this model can work.

Support TSW →
Tags: accessibility requirementsBarb viewing databroadcasting codeChannel 4Disney+ UKITVXMedia Act 2024Netflix UKOfcomPrime Video UKstreaming complianceTier 1 servicesUK media policyUK streaming regulationVOD standards code
Share222Tweet139Send

Related Posts

Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track

Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track The Streaming Wars Staff

November 5, 2026
Versant Expands Fandango’s Theater Software as Cable Losses Outrun Platform Growth

Versant Expands Fandango’s Theater Software as Cable Losses Outrun Platform Growth The Streaming Wars Staff

November 5, 2026
Netflix’s AI Discover Targets More Viewing From a $20 Billion Content Budget

Netflix’s AI Discover Targets More Viewing From a $20 Billion Content Budget The Streaming Wars Staff

November 4, 2026
Disney Eyes Thousands of Job Cuts to Fund Franchises, Making Every Miss More Expensive

Disney Eyes Thousands of Job Cuts to Fund Franchises, Making Every Miss More Expensive The Streaming Wars Staff

November 3, 2026
Next Post
Ellison Turns Up the Heat as Warner Bros. Discovery Reviews a Sweeter Paramount Bid

Ellison Turns Up the Heat as Warner Bros. Discovery Reviews a Sweeter Paramount Bid

Recent News

Basics of Streaming: Why Live Sports Streaming Gets More Expensive as More Fans Watch

Basics of Streaming: Why Live Sports Streaming Gets More Expensive as More Fans Watch

The Streaming Wars Staff
November 6, 2026
The Bundle Boom Is Changing the Math

The Bundle Boom Is Changing the Math

Kirby Grines
November 5, 2026
Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track

Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track

The Streaming Wars Staff
November 5, 2026
From the Archives: Showtime Went Direct. The Middlemen Never Left

From the Archives: Showtime Went Direct. The Middlemen Never Left

The Streaming Wars Staff
November 5, 2026
Website Logo

The Streaming Wars is an independent intelligence and B2B media platform covering streaming, distribution, advertising, and media economics. Built by operators and read by decision-makers, TSW helps companies build authority and reach the buyers shaping the industry. Ad-free. Paywall-free.

Explore

About

Find a Vendor

Have a Tip?

Contact

Podcast

For Companies

Support TSW

Join the Newsletter

Copyright © 2026 by 43Twenty.

Privacy Policy

Term of Use

No Result
View All Result
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • Exec Briefing
    • From The Archives
    • Insiders Circle
  • Directory
  • Guides
    • TSW Guide to Bundling
    • TSW Guide to Metadata
    • TSW Guide to AI & The Modern Media Workflow
    • TSW Guide to the Future of Media Jobs
    • Streaming Analytics in the Age of AI
  • For Companies
  • Support TSW

Copyright © 2024 by 43Twenty.