Website Logo
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • Exec Briefing
    • From The Archives
    • Insiders Circle
  • Directory
  • Guides
    • TSW Guide to Bundling
    • TSW Guide to Metadata
    • TSW Guide to AI & The Modern Media Workflow
    • TSW Guide to the Future of Media Jobs
  • For Companies
  • Support TSW
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • Exec Briefing
    • From The Archives
    • Insiders Circle
  • Directory
  • Guides
    • TSW Guide to Bundling
    • TSW Guide to Metadata
    • TSW Guide to AI & The Modern Media Workflow
    • TSW Guide to the Future of Media Jobs
  • For Companies
  • Support TSW
Subscribe

Netflix Eyes Video Podcasts in Bid to Attract YouTube Talent

The Streaming Wars Staff
April 18, 2025
in News, Business, Entertainment, Programming, Technology
Reading Time: 2 mins read
0

In our previous article, we explored how Netflix is showing growing interest in the podcasting space. That interest now appears more intentional, as the company signals a deeper move into video podcasts. This strategy positions Netflix to compete more directly with YouTube, not only for viewer attention but also for creator loyalty.

On the company’s Q1 earnings call, co-CEO Ted Sarandos made it clear that video podcasts could be the next frontier for Netflix as it pushes further into creator-led content. “As the popularity of video podcasts grows, I suspect you’ll see some of them find their way to Netflix,” Sarandos said, blurring the lines between talk shows and traditional podcast formats.

While Netflix already produces companion podcasts tied to its IP, such as recap series and talent interviews, this potential shift signals a deeper investment in standalone, video-first podcast content. His comments confirmed recent Business Insider reporting that Netflix is actively exploring deals with video podcasters. This marks a more direct entry into the podcasting format itself, beyond promotional tie-ins.

The move aligns with broader industry trends as streaming platforms look to blend digital-first formats with traditional TV while keeping content costs manageable. Max Cutler of PAVE Studios notes that the next wave of major podcast investment will likely come from streamers rather than traditional audio platforms. With YouTube proving that podcasts work well on TV screens, Netflix’s expansion into this space reflects the ongoing blurring of boundaries between streaming, digital, and broadcast media.

This is less about entering the audio game and more about challenging YouTube, which continues to dominate TV screen time. According to Nielsen, YouTube captured 12% of TV watch time in March, extending its lead over Netflix, which came in at 7.9%. That kind of stat is not lost on Netflix leadership, especially as they try to position their platform as the “best place for premium content, as defined by fans.”

Sarandos pointed to recent pickups like Ms. Rachel and comedian Tony Hinchcliffe’s Kill Tony specials as examples of creator content Netflix sees as aligning with its brand. He also emphasized the platform’s ability to “de-risk” more ambitious projects through upfront monetization. It is a clear signal that Netflix sees itself as a safer, more lucrative alternative to the ad-driven, algorithmic nature of platforms like YouTube.

Still, there is a reality check here. For rising or underserved creators, a Netflix deal could be transformative. But for top-tier video podcasters or YouTubers running successful, multi-platform businesses, the trade-offs, especially around control and distribution, might not be worth it.

Netflix is not just courting filmmakers and showrunners now. It is looking everywhere, from Hollywood to YouTube, for the next wave of storytellers.

The Streaming Wars is intentionally ad-free

We don’t run display ads. Not because we can’t, but because we don’t believe in them.

They interrupt the reading experience. They cheapen the work. And they burn advertisers’ money on impressions nobody actually wants.

So we chose a different model.

We say the things people in this industry are already thinking but don’t say out loud. We connect the dots beyond the headline and focus on explaining why things matter to the people working in this business.

If you believe industry coverage can exist without clutter and interruption, you can support it here → SUPPORT TSW.

Support is optional. But it directly funds research and continued coverage — and helps prove this model can work.

Support TSW →
Tags: content creatorscreator economyKill Tonymonetization modelsMs. RachelnetflixNielsen TV ratingspodcastingSidemenstreaming contentTed Sarandosvideo podcastsYouTube
Share236Tweet148Send

Related Posts

Basics of Streaming: Why Live Sports Streaming Gets More Expensive as More Fans Watch

Basics of Streaming: Why Live Sports Streaming Gets More Expensive as More Fans Watch The Streaming Wars Staff

November 6, 2026
Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track

Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track The Streaming Wars Staff

November 5, 2026
People Inc. Grows Licensing as Google Referrals Collapse, Leaving Apple and Meta With the Audience

People Inc. Grows Licensing as Google Referrals Collapse, Leaving Apple and Meta With the Audience The Streaming Wars Staff

November 5, 2026
Versant Expands Fandango’s Theater Software as Cable Losses Outrun Platform Growth

Versant Expands Fandango’s Theater Software as Cable Losses Outrun Platform Growth The Streaming Wars Staff

November 5, 2026
Next Post
It’s 4th-and-Long for ESPN’s NFL Draft Deal—But Confidence Remains High

It’s 4th-and-Long for ESPN’s NFL Draft Deal—But Confidence Remains High

Recent News

Basics of Streaming: Why Live Sports Streaming Gets More Expensive as More Fans Watch

Basics of Streaming: Why Live Sports Streaming Gets More Expensive as More Fans Watch

The Streaming Wars Staff
November 6, 2026
The Bundle Boom Is Changing the Math

The Bundle Boom Is Changing the Math

Kirby Grines
November 5, 2026
Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track

Snap Will Drop Regional DAU and ARPU, Making Its Most Valuable Market Harder to Track

The Streaming Wars Staff
November 5, 2026
From the Archives: Showtime Went Direct. The Middlemen Never Left

From the Archives: Showtime Went Direct. The Middlemen Never Left

The Streaming Wars Staff
November 5, 2026
Website Logo

The Streaming Wars is an independent intelligence and B2B media platform covering streaming, distribution, advertising, and media economics. Built by operators and read by decision-makers, TSW helps companies build authority and reach the buyers shaping the industry. Ad-free. Paywall-free.

Explore

About

Find a Vendor

Have a Tip?

Contact

Podcast

For Companies

Support TSW

Join the Newsletter

Copyright © 2026 by 43Twenty.

Privacy Policy

Term of Use

No Result
View All Result
  • News
  • Insights
  • Columns
    • Ask Skip
    • Basics of Streaming
    • Exec Briefing
    • From The Archives
    • Insiders Circle
  • Directory
  • Guides
    • TSW Guide to Bundling
    • TSW Guide to Metadata
    • TSW Guide to AI & The Modern Media Workflow
    • TSW Guide to the Future of Media Jobs
    • Streaming Analytics in the Age of AI
  • For Companies
  • Support TSW

Copyright © 2024 by 43Twenty.